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Digital Evidence and Computer Crime
Penulis: Eoghan Casey •
Identifier: --eoghancase-1141
In 2004, when I wrote the previous edition of this book, I described technology
as a window into our lives and the lives of criminals. In this metaphor was
a separation between the virtual and physical world. Now this separation is
gone. Technology is integrated inseparably into our lives, present and active
wherever we are.
In a sense, cyberspace turns itself inside out when the technology is aware of
our physical location in the world, providing location-dependent services to
the user and conversely enabling digital investigators to determine where an
individual of interest was during the time of a crime. In Spook Country, William
Gibson describes various facets of this eversion of cyberspace.
The locative properties of modern technology provide a prime example of this
eversion. For instance, while I am having an Aussie at Brewer’s Art in Baltimore,
my smart phone is chattering with various systems to orient itself and provide
me with information about my immediate surroundings. Opening the map
function not only shows my location but also points out places of interest in
the area such as Baltimore Symphony Orchestra (Meyerhoff Symphony Hall),
Lyric Opera House, and Penn Station (Figure 1).